11th Annual Texas Teapot Tournament | Opening Jan 5th 6-9pm TEAplusART GALLERY
TEAplusART Gallery and the Art non-profit CAMEO (Clay Arts Museum) host the Eleventh Annual International Texas Teapot Tournament. The popular competition and exhibition brings clay artists from all over the world to HOU. The exhibit will feature over 50 teapot submissions with $1000 grand prize. The Juror for the exhibition is June Woest, Faculty Artist at Houston Community College. On display thru Jan 27th.
Link: https://www.facebook.com/events/1947513422190480
Art, Art, and more Art
Saturday, December 30, 2017
Monday, December 18, 2017
Monica Wyatt's Solo Show, Continuum, at MOAH opens January 20
Monica Wyatt
Continuum
Solo exhibition
Opening reception: January 20, 2018 6-8pm
On view: January 20 to March 3, 2018
MOAH: Cedar
44857 Cedar Ave
Lancaster, CA 93534
lancastermoah.org
monicawyatt.com
Lancaster, California) – The Museum of Art and History in Lancaster, California, is pleased to present Continuum, a solo exhibition by Los Angeles based artist Monica Wyatt.
The curator of the exhibition, jill moniz, writes in an essay, “Monica Wyatt is an artistic alchemist, collecting materials and turning them into precious objects. In this process, Wyatt fuses the history of the materials together to create new beginnings, representing the cyclic nature of all things. This exhibition is a metanarrative of this practice, where Wyatt continues to reimagine objects and compositions that speak forcefully about her inspirations, interventions and intentions.
Wyatt is passionate in her hunt for materials, honoring the histories of these elements whilst stripping them bare so that her reworking feels organic and never forced. She dissembles organs, pianos, cables, sieves and other utilitarian items from a past when people valued human production and craftsmanship. Her objects honor that past and create a new language on an aesthetic continuum that conveys the resonance of an alchemy that we all possess, and reminds the viewer that identity and community are made from diverse elements brought together in harmony.
In another layer of synergy, Wyatt is interested in transforming inorganic materials into shapes that signify nature. Her assemblage is filled with both organic and manmade materials and she challenges the viewer to consider the aesthetic qualities of each as they contribute to her compositions. She makes electric capacitors look like plant life and zip ties mimic deep sea life in order to further a dialog about preservation of all the things we should hold dear.”
MOAH Cedar presents Continuum, Wyatt’s first installation at the museum and the ongoing collaboration with curator jill moniz. Wyatt’s assemblage has evolved from the early influence of Joseph Cornell to a more outside of the box approach. She credits Betye Saar, Claire Falkenstein, Ruth Asawa, Louise Bourgeois, Eva Hesse and Lee Bontecou with giving her the courage and impetus to pursue engaging themes and compositions that reflect her love for materials, and the new life and meaning she gives them.
Art, Art, and more Art
Continuum
Solo exhibition
Opening reception: January 20, 2018 6-8pm
On view: January 20 to March 3, 2018
MOAH: Cedar
44857 Cedar Ave
Lancaster, CA 93534
lancastermoah.org
monicawyatt.com
Lancaster, California) – The Museum of Art and History in Lancaster, California, is pleased to present Continuum, a solo exhibition by Los Angeles based artist Monica Wyatt.
The curator of the exhibition, jill moniz, writes in an essay, “Monica Wyatt is an artistic alchemist, collecting materials and turning them into precious objects. In this process, Wyatt fuses the history of the materials together to create new beginnings, representing the cyclic nature of all things. This exhibition is a metanarrative of this practice, where Wyatt continues to reimagine objects and compositions that speak forcefully about her inspirations, interventions and intentions.
Wyatt is passionate in her hunt for materials, honoring the histories of these elements whilst stripping them bare so that her reworking feels organic and never forced. She dissembles organs, pianos, cables, sieves and other utilitarian items from a past when people valued human production and craftsmanship. Her objects honor that past and create a new language on an aesthetic continuum that conveys the resonance of an alchemy that we all possess, and reminds the viewer that identity and community are made from diverse elements brought together in harmony.
In another layer of synergy, Wyatt is interested in transforming inorganic materials into shapes that signify nature. Her assemblage is filled with both organic and manmade materials and she challenges the viewer to consider the aesthetic qualities of each as they contribute to her compositions. She makes electric capacitors look like plant life and zip ties mimic deep sea life in order to further a dialog about preservation of all the things we should hold dear.”
MOAH Cedar presents Continuum, Wyatt’s first installation at the museum and the ongoing collaboration with curator jill moniz. Wyatt’s assemblage has evolved from the early influence of Joseph Cornell to a more outside of the box approach. She credits Betye Saar, Claire Falkenstein, Ruth Asawa, Louise Bourgeois, Eva Hesse and Lee Bontecou with giving her the courage and impetus to pursue engaging themes and compositions that reflect her love for materials, and the new life and meaning she gives them.
Art, Art, and more Art
Location:California
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