Wednesday, May 31, 2017

2017 CAC Annual Juried Membership Exhibition Call for Entries

2017 CAC Annual Juried Membership Exhibition
Call for Entries

Hosted by
Mary Tomás Gallery
1110 Dragon St.
Dallas, Texas 75207
(214) 727-5101


Submission Deadline: Friday, July 7th
Opening Reception: Saturday, August 5th 5:30 pm - 8:30 pm


Creative Arts Center of Dallas is now accepting submissions for our 2017 Annual Juried Membership Exhibition. In this juried exhibition our panel will be looking for the most exceptional of member work in all mediums. CAC members are invited to submit up to three images of original 2D or 3D artworks created within the last two years for consideration.


ELIGIBILITY: All persons with memberships valid through July 2017 are eligible to submit artwork. Entrants must be or become members of the Creative Arts Center of Dallas before submission. Entrants may become a member or renew current membership online (creativeartscenter.org), via phone, or in person. A One (1) Year Individual Membership is $45 or $35 for Seniors, Educators, Students and Veterans.

ENTRY FEES: The entry fee is $45 for a maximum of three images per artist. This includes either three images detailing one piece of artwork, or three images of three different artworks. Entry fees must be paid online or by check no later than Friday, July 7th.

SUBMISSION CRITERIA: Work that does not comply with these requirements will not be accepted. CAC will not refund any membership or entry fees to those who have not complied with the submission guidelines.

1. Artwork submitted must be original works of art.
2. Artwork must have been produced within 24 months prior to the exhibition.
3. Artwork must not have been previously shown in any CAC related exhibitions.

HOW TO SUBMIT:
1. Create a CaFÉ™ profile. (callforentry.org)
2. Upload work samples into your CaFÉ™ Portfolio.
When your work samples are uploaded, they will be available for you to include in your applications. Your portfolio can store image files with the following requirements:
File format: JPEG only
File dimensions: No smaller than 1920 pixels on the longest side
File resolution: 72 ppi/dpi (standard web resolution)
File size: 5 MB maximum
3. Apply to call and pay entry fee (or mail check to CAC office) before deadline.

***No late entries will be considered. Applications/Images will not be accepted in person.

For further information, please contact
Andrea Blanco at ablanco@creativeartscenter.org or via phone (214) 320-1275.


Art, Art, and more Art

Location:Dallas

Monday, May 22, 2017

Art of Home loans

For the last two years, Nationstar Mortgage in Dallas, Texas has been providing a platform for local and international artists to create giant installations within their headquarters. After visiting Facebook in California, they were inspired to allow artists to bring a new energy to their corporate space. Curator Lesli Marshall has collaborated with over 50 artists and has filled the walls with over 120+ art installations. Check out www.artofhomeloans.com and follow the artists and their works with Lesli's company Articulation Art.



Art, Art, and more Art

Location:Dallas

Artist Talk and Closing Reception For Posting


Her:Here – Closing Reception & Artist Talk
June 2nd 3:00 pm - 6:00 pm

Artists Katie Hovencamp & Emily Nelms Perez will be in conversation with ISC’s Executive Director, Johannah Hutchison at Mana Contemporary on June 2nd at 3:00 pm. They will discuss their process & purpose as sculptors and their time as an ISC resident in their BSMT studios.

Come help us close out Her:Here in our office space, studio #547,
on the 5th floor at Mana Contemporary.

Reception is free and open to the public.

RSVP before it’s too late! http://international-sculpture-center.Her-Here-artists-talk-with-Johannah-Hutchison.sgizmo.com/s3/



Website: http://www.sculpture.org/residency/mana-update.shtml

Organizer: International Sculpture Center – Events

Phone: 609-689-1051 ext. 302

Email: events@sculpture.org

Website: www.sculpture.org


Venue Mana Contemporary Studio 547
888 Newark Avenue, Jersey City, NJ 07306 United States

Phone: 201.604.2702

Website: http://manacontemporary.com


Art, Art, and more Art

Location:New Jersey

Buzz, Pop, Color, Los Angeles | Brainworks Gallery

Opening reception: Saturday June 3rd from 5-8pm

Dates: June 3rd – 24th



Brainworks Gallery

5364 W. Pico Bl.

Los Angeles, Ca 90019

http://www.brainworksgallery.com/



Featured artists: Rochelle Botello, Adah Glenn, Christopher Kuhn, Katya Marshall, Megan St Clair and Stacy Wendt.



Curated by Erin Adams and Doraelia Ruiz



(Los Angeles May 2017) -Brainworks Gallery has brought together six Los Angeles artists whose work depicts our city with all the vibrancy Angelenos know and love. “Buzz, Pop, Color, Los Angeles” is a showcase of paintings, collage and sculpture that use brilliant color and abstracted form to excite the senses and invites the viewer to notice the beauty and complexity of LA. Opening June 3rd with a reception from 5-8pm, the show runs to June 24th.



Rochelle Botello creates sculpture that uses bright color combinations and patterns in unexpected ways to explore the complex and contradictory nature of everyday life.



Christopher Kuhn creates graphic puzzles of gestural marks that demand the viewer reassess their perception.



Adah Green is a multi-disciplinary native of Los Angeles who addresses themes of race, sex, gender, and classism through graphics, animation, comics, painting, toys, books, fashion, music and of course street art.



Katya Marshall combs the streets of Los Angeles for its trove of signage and printed ephemera, these little paper scraps that are a significant part of LA’s material and cultural landscape inspire her work.



Megan St Clair thinks of her artwork as poetic and scientific gestures that offer an opportunity for her to reflect on her personal narrative of emotional vulnerability.



Stacy Wendt creates chaotic yet structured work with intense colors and clashing modes that are greatly informed by the energy and atmosphere of the Los Angeles landscape.







Brainworks Gallery is LA’s newest artist run gallery on Mid City’s vibrant West Pico Boulevard. In this diverse neighborhood, Brainworks Gallery will be a showcase for emerging artists, conversation and a truly independent perspective on the artistic voice in today’s world. Erin Adams invited lively dialogue between artists and the city about what it means to have a distinct point of view. As an artist run gallery Brainworks Gallery intends to function as a place to meet new voices that are curated but unconstrained by market forces.


Location:Los Angeles

Buzz, Pop, Color, Los Angeles | Brainworks Gallery

Opening reception: Saturday June 3rd from 5-8pm

Dates: June 3rd – 24th



Brainworks Gallery

5364 W. Pico Bl.

Los Angeles, Ca 90019

http://www.brainworksgallery.com/



Featured artists: Rochelle Botello, Adah Glenn, Christopher Kuhn, Katya Marshall, Megan St Clair and Stacy Wendt.



Curated by Erin Adams and Doraelia Ruiz



(Los Angeles May 2017) -Brainworks Gallery has brought together six Los Angeles artists whose work depicts our city with all the vibrancy Angelenos know and love. “Buzz, Pop, Color, Los Angeles” is a showcase of paintings, collage and sculpture that use brilliant color and abstracted form to excite the senses and invites the viewer to notice the beauty and complexity of LA. Opening June 3rd with a reception from 5-8pm, the show runs to June 24th.



Rochelle Botello creates sculpture that uses bright color combinations and patterns in unexpected ways to explore the complex and contradictory nature of everyday life.



Christopher Kuhn creates graphic puzzles of gestural marks that demand the viewer reassess their perception.



Adah Green is a multi-disciplinary native of Los Angeles who addresses themes of race, sex, gender, and classism through graphics, animation, comics, painting, toys, books, fashion, music and of course street art.



Katya Marshall combs the streets of Los Angeles for its trove of signage and printed ephemera, these little paper scraps that are a significant part of LA’s material and cultural landscape inspire her work.



Megan St Clair thinks of her artwork as poetic and scientific gestures that offer an opportunity for her to reflect on her personal narrative of emotional vulnerability.



Stacy Wendt creates chaotic yet structured work with intense colors and clashing modes that are greatly informed by the energy and atmosphere of the Los Angeles landscape.







Brainworks Gallery is LA’s newest artist run gallery on Mid City’s vibrant West Pico Boulevard. In this diverse neighborhood, Brainworks Gallery will be a showcase for emerging artists, conversation and a truly independent perspective on the artistic voice in today’s world. Erin Adams invited lively dialogue between artists and the city about what it means to have a distinct point of view. As an artist run gallery Brainworks Gallery intends to function as a place to meet new voices that are curated but unconstrained by market forces.




Art, Art, and more Art

Location:Los Angeles

Material Identity | Cecelia Caro, Katie Shanks, and Stephanie Sherwood

Artist-in-Residence May 1st to June 3th

Closing Reception: June 3rd 3-6pm

Workshop: May 20th 130-3pm



Shoebox Projects

660 South Avenue 21 #3

Los Angeles, California 90031

www.shoeboxprojects.com



Shoebox Projects is pleased to announce its sixth artist-in-residents: the collaborative team of Cecelia Caro, Katie Shanks, and Stephanie Sherwood. They are working in the experimental art space in the Brewery Arts Complex as of May 1st with a reception of work completed during the residency to be held on Saturday, June 3rd, from 3-7pm.



Have you ever found yourself wondering about the gender of the artist upon seeing an artwork? Have you ever found an artwork that you very strongly identified with only to be surprised by the gender of the artist who created it?



Material Identity: Making Art on the Gender Continuum seeks to gain insight into how art is experienced in a society which still clings to gender biases and how it impacts what it means to be a female artist navigating and creating in the contemporary art scene.



In March, the artists began seeking feedback via an online questionnaire, which asked contributors to indicate their initial gender specific associations in regards to a variety of art making choices. This was in order to expose and examine internalized biases—and the stereotypes that are perpetuated through their maintenance. Examples were provided in each of the following categories: color, texture, scale, speed, technique, and genre, and contributors were provided the following five options to express their perceived gender bias:



Mostly Feminine Associations

Some Feminine Associations

Neutral Associations

Some Masculine Associations

Mostly Masculine Associations



Since then, they have received over 100 responses. Using this data, and the materials they have begun to collect and create, the artists will be creating an installation at Shoebox Projects during the month of May. While the survey is by no means comprehensive or scientific, it was fantastic way to begin thinking about preconceived notions we hold about art, who is making it, and how it is created. There are many aspects of the data which the artists plan to address in the piece—one of the most interesting of which is the demographic of the respondents. Those individuals who self-selected to respond to the survey, were predominantly themselves highly educated individuals involved in the arts who identified as either women or nonbinary—giving them a shared background with the artists themselves. Highlighting that perhaps that is the crux of the interest and contemplation of these matters, is a thwarted desire to be able to see oneself in the art that is seen and shown in the art world at large.



The artists will conduct a workshop on Saturday, May 20th, 130pm to 3pm, where they will begin with the survey itself—asking attendees to take and examine their own internalized biases. From there they will discuss their inquiries, findings, and open up to a wider discussion of gender in the art world before shifting to how to interpret this in the construction of an actual piece of art. The in progress installation will be examined, and participants will also be provided with materials to create their own pieces centered around the conversation.



How will three female artists create a collaborative installation which addresses the nature of gender bias using the language of the artmaking process? Where will they adhere to societal expectations, and how will they subvert them? Visit Shoebox Projects in May and find out!



Cecelia Caro, Katie Shanks, and Stephanie Sherwood met while working on their BFAs in Drawing and Painting at California State University, Long Beach. While working their way through the Drawing and Painting BFA program, they fostered each other’s development as young artists. Since completing their degrees they have remained a strong support system for one another while moving to new cities, developing new bodies of work, and keeping their studio practices as regular as adult life could allow. Katie and Stephanie began collaborating on installation work with their first piece “Unrequited” in March of 2015 and since then have collaborated on several large scale installations as well as a collection of wearable art objects entitled “Meat Market”. Although the artists have very different methods of creating artwork - color, form and drawing have always remained significant their practices.



Shoebox Projects is a new experimental art space in DTLA, where emerging and mid-career artists are given an opportunity to freely experiment with new ideas and directions for their practice. Founded by Kristine Schomaker, multimedia artist and director of Shoebox PR and Art and Cake, Shoebox Projects intends to give artists a chance to recharge and renew their relationship with their work


Art, Art, and more Art

Location:California

exhibition tip: japanese media artists first solo exhibition in nyc

would like to share with you an exhibition that might be worthwhile to post on ArtHash. Exonemo, a Japanese media arts duo with roots in 1990s internet art is showing a series of works at HPGRP gallery in New York until June 10th. More information can be found here: http://hpgrpgallery.com/


////////////////////
Chris Romero
Curator | www.romerochris.com


Art, Art, and more Art

Location:New York

Dani Dodge | Personal Territories

Residency from: June 17 - August 5, 2017
Opening reception: 6 to 8 p.m. Saturday, June 17, 2017

Location: MOAH:CEDAR, 44857 Cedar Ave., Lancaster, California

Hours: 2 to 8 p.m. Thursday through Sunday

Cost: Free

Additional events: The exhibition will include four events—July 1, 8, 15, and 22—outside of the museum walls to engage the community in a dialogue about the personal territory we all tread.

When we are young, we want nothing more than to get away from home. As we age, some of us want nothing more than to be home. Dani Dodge’s installation maps her own history of home and encourages visitors to consider their own tales of personal territory.

Opening June 17 at MOAH:CEDAR, “Personal Territories” is a room-sized interactive installation that incorporates video and sculpture while allowing members of the public to contemplate their own memories of home.

Dodge is known for crafting evocative interactive works that reflect ideas of home, formation of identity, and the secrets we hide in public and private spaces. She explores how many layers of transparency are required before opacity occurs.

To create the work, the artist, who grew up in California, relearned the art of sewing, something she abandoned after doing poorly in home economics at age 14. She re-creates her childhood bed in clear vinyl and shades of translucent fabric, hanging it from the museum ceiling. Each piece is a striation in her journey. Threads dangle from the seams.

A time-lapse video, reminiscent of Dodge’s childhood territory, projects onto and through the objects. It is at once visible and obscured as it plays upon the surfaces.

The installation allows the public to wander through this ephemeral representation of Dodge’s personal history, rendered in dreamlike colors and textures that at once conceal and reveal the details of her youth.

Sculptures made from the skins of mattresses dot the room. Visitors are invited to share their own childhood memories and ideas of home on wood blocks—one of the most solid items within the room—and hide them in shoeboxes under the bed.

Inspired by her personal history as a war correspondent, political journalist, and a young single mother who at one point lived in a car with two infants, the artist’s sculptures and installations reveal a range of powerful themes, including identity, memory, the fragility of home, and the nature of truth. At the same time, Dodge’s installation seduces viewers with its delicate monumentality and subtle but perilous beauty.

While no less contemplative, her “Personal Territories” public performances will be a celebration of community and home. At locations throughout Lancaster, she invites the public to share their own truths with her and others. The paper airplanes, drawings, and stories that result from the encounters will be on view at MOAH:CEDAR.



Personal Territories: Events

Interactive art with Dani Dodge

Saturday, July 1, 11 a.m. – 2 p.m.: Joe Davies Heritage Airpark

Horizons Beyond the Homefront

Participants fold paper planes, write where they want to go on them and toss them into the “horizon.”



Saturday, July 8, 11 a.m. – 2 p.m.: Prime Desert Woodlands

The Earth Is My Home

Participants fill in a 4-foot-tall image of the Earth with their thoughts and drawings of what the planet means to them.



Saturday, July 15, 11 a.m. – 2 p.m.: Los Angeles County Library – Lancaster

The Setting for my Story Is Home

We all have a story to tell. Participants tell the artist a short story about their home, wherever or whatever it is. The artist creates a title for the story and types it on a vintage library reference card that the participant then files into a library card file.



Saturday, July 22, 11 a.m. – 2 p.m.: Western Hotel Museum

Home as Heritage



Visitors to the museum think about their own heritage. They share the name of a relative who was a foundation of their family and a short story about that person. The artist types the story in no more than three sentences on parchment paper that becomes a “book.”



Bio: Dani Dodge lives and works in Los Angeles. Her work is included in three museum collections and has been shown across the U.S. and internationally. In 2016, Americans for the Arts named Dodge’s interactive installation/performance “CONFESS” one of the outstanding public art projects of the previous year.

She is a former newspaper reporter who was part of a team that won the Pulitzer Prize for exposing congressional corruption in 2006. She was embedded with the Marines during the invasion of Iraq in 2003, and covered the aftermath of Hurricane Katrina in 2005. She left journalism in 2008 to focus on art.



Websites: DaniDodge.com & lancastermoah.org

Events on Facebook: Personal Territories & CEDARFEST


Art, Art, and more Art

Location:California

Call for Artists Call for Artists

We are dedicated to exhibiting diverse art in 19 different disciplines and invite talented artists from across the country to submit an application.

A jury will select only 300 artists to showcase their art at our fall outdoor festival under the iconic Houston skyline. The panel of jurors consists of artists, collectors and industry professionals.

Cash Prizes are awarded for “Best in Show”, second and third, as selected by on-site judges. Ribbons are awarded for “Best Booth” and all winners receive jury exempt status for two years as well as priority booth placement.

To apply, submit five images and an application fee of $40.
Deadline to apply: May 29
Jury process: May 30 – June 5
Artists will be notified by: Jun

Apply Here




Art, Art, and more Art

Location:Houston

Tuesday, May 16, 2017

Call for entries art of peace

Call for Entries Open for 2017 Art of Peace – Tyler Visual Art Exhibit

(TYLER, TX) - Entries now are being accepted for the Building Bridges Visual Art Exhibit as part of the Art of Peace – Tyler celebration, a citywide commemoration of the United Nations International Day of Peace, Sept. 21.
“Art of Peace – Tyler is happy to once again to partner with the Tyler Museum of Art to invite regional artists to offer their creative responses to the idea of peace and to our 2017 theme, Building Bridges,” said Anne McCrady, co-founder and co-director of the peace event.
The visual art show will be presented as a juried exhibit in the museum’s education classroom Sept. 17-24, at the Tyler Museum of Art, 1300 S. Mahon Ave. on the Tyler Junior College main campus. The exhibit will be open to the public and admission is free.
The jury for selection will consist of members of the Art of Peace - Tyler committee and TMA representatives. The jury has the option to select up to two works per artist for inclusion in the show. Past exhibits have included the work of artists from Austin, Dallas, Lubbock and the East Texas area.
“We are privileged that the Art of Peace - Tyler committee once again has asked us to be the host venue for this exhibition,” TMA Executive Director Chris Leahy said. “The work we have seen over the past four years of our partnership has grown increasingly more dynamic and accomplished, and we are proud to have the opportunity to participate in such a great community event.”
Entry deadline for the visual art show is July 31. For more information about Art of Peace – Tyler events, visit www.tylerpeace.com. For questions about the art exhibition, e-mail artofpeaceart@gmail.com or call Mrs. McCrady at (903) 658-5645.


SUBMISSIONS
• Artists must be older than 18 and reside in Texas
• Entry deadline is Monday, July 31, 2017. Entries received, whether by mail or e-mail, after midnight July 31 will not be accepted
• Works in all media are eligible, provided they can be juried by digital image. These include painting, drawing, printmaking, photography/digital media, sculpture, mixed media and fine craft (wood, metal, clay, fiber, glass)
• Artwork should relate to the 2017 theme, Building Bridges, as a metaphor for creating connections as an essential part of peace work
• Artwork must be able to fit through a regular-sized doorway
• Works chosen must be finished, dry and ready to exhibit
• Each artist may submit two pieces of art. Artists’ submission must consist of:
o Three high-quality digital JPEG images of each proposed work, each clearly labeled: Artist Last Name-Title-View. If mailed CD is to be returned, artists should include a self-addressed, stamped envelope
o A description of each work that includes title, media, size and description
o Artist CV or résumé with contact information including Website, e-mail, phone
and mailing address
• Artists should e-mail digital images, descriptions of work, CV and artist information to artofpeaceart@gmail.com or mail a CD with information packet to: Art of Peace – Tyler Exhibit Committee, Tyler Museum of Art, 1300 S. Mahon Ave, Tyler, TX 75701
ARTWORK IMAGES
“Since jury selection uses images of the artwork, artists should send high-quality images that represent their pieces as accurately and professionally as possible,” Mrs. McCrady said. Artists must submit images as JPEG files. Art of Peace - Tyler reserves the right to reproduce artwork images of accepted entries for promotion of the exhibition in the media.
The TMA does not allow art sales on the premises. However, given artist permission, guests will be provided with names of artists and selected contact information, she said. Visitors who wish to purchase artwork may contact the artist directly regarding a sale after the close of the show.


INSURANCE
The TMA will insure exhibited works from the time of their safe arrival at the Museum until they are returned to the artist, for the insurance values indicated on the entry form. Insurance values will correspond with the demonstrable fair market value of the work. Details of the insurance coverage are addressed in the final loan agreement for selected works. Submission of an entry to the exhibition constitutes agreement on the part of the entrant to the conditions set forth in the competition.
EXHIBITION CALENDAR
• Saturday, May 1 — Entries open
• Monday, July 31 — Entry deadline (must be received by midnight)
• Thursday, August 31 — Artist notification of jury’s selections
• Tuesday, Sept. 12 & Wednesday, Sept. 13 — Receipt of artwork for show, 9 a.m.-5 p.m.
• Sunday, Sept. 17 — Exhibition opens to the public
• Monday, Sept. 18 — Museum closed
• Sunday, Sept. 24 — Artist reception, 4 p.m.; program, 4:30 p.m.; artwork pickup, 6 p.m.
• Tuesday, Sept. 26 — Final day to pick up artwork, 9:30 a.m.-5:30 p.m.
• Sept. 15 - 24 — 2017 Art of Peace Tyler events


Art, Art, and more Art

Location:Tyler

Monday, May 15, 2017

Gallery Korea Korean Cultural Center of New York

Call for Artists 2017 Exhibition
“In/visible: Things to be Discussed”
presented by the Korean Cultural Center New York

May 24th - July 13th, 2017
Opening Reception: Wednesday, May 24th, 2017

Gallery Korea at the Korean Cultural Center New York

Gallery Korea of the Korean Cultural Center New York, a branch of the Ministry of Culture, Sports and Tourism of Korea, is pleased to present In/visible: Things to be Discussed, on view from May 24th to July 13th, 2017. The opening reception is on Wednesday, May 24th from 6 pm to 8 pm.



This group exhibition is curated by ‘haewooso,’ a group of three emerging curators based in Seoul and New York: Edie Yonwoo Kim, Hae Lin Park, and So-Ok Park. The exhibition brings together six emerging artists; Byeong Gi Baek, Caiti Borruso, Daniel Goldfarb, Hyejin Jo, Alex Strada, and Seok-Il You.

The contemporary world we live in today overflows with information and images. People have grown accustomed to making judgments only from what they see on the surface. In/visible encourages the audience to perceive things that have been unconfronted, things that people may have missed out in their lives.

Byeong Gi Baek’s installation reflects a recent tragedy in Korea through the image of a whale; Caiti Borruso uses photographs to mirror the psychological distance in her relationship with her hometown as well as her personal trauma; Daniel Goldfarb’s video evokes the concept of excluded beings in society through a character named BLOCH; Hyejin Jo’s installation takes issue with the ironic nature of tropical plants that are now prevalent in Korean society where the climate is not ideal for such plant life; Alex Strada’s photographs of miniatures of world-famous landmarks reveals hidden power relationships in the history of the world; Seok-Il You examines the unique nature of youth communities by observing the behaviors of young Koreans during a period of policy change.
This exhibition provides an opportunity for fresh perspectives, opening our eyes to the overlooked and observing the “invisibles” from the “visibles,” thus to set the stage for what needs to be discussed.

Please click here for more information on the artists and the exhibition.
https://www.koreanculture.org/gallery-korea/2017/5/1/invisible-things-to-be-discussed-group-exhibition

***




Art, Art, and more Art

Location:New York

Steve Seleska | Uncharted Territory

Exhibition: June 3 - June 30

Reception: Saturday, June 17, 3-6 pm

Open Studios Art Tour:

Saturday, June 3 + 4, 11 am-5 pm



ARK Gallery

2599 Fair Oaks Ave.

Altadena, CA 91001

ark-arts.com

steveseleska.com



Opening at ARK Gallery June 3rd, artist Steve Seleska presents his first solo exhibition “Uncharted Territory.” As a study of microscopic environments and fantasy landscapes, Seleska’s work prompts the viewer to consider what is happening in the world on a molecular level that affects our existence. Indicative of the national climate that produced March for Science rallies in 600+ cities worldwide, “Uncharted Territory” speaks to the unprecedented rallying cry to protect present facts, what we can discover as truths, and the lifespans of our natural landscapes.



As we swiftly enter an era that prioritizes commerce over our collective natural health, Seleska explores how fragile eco-systems fail if they are not taken care of. “Uncharted Territory” creates an elusive environment that sits between what can and cannot exist. Blending abstract and natural representation to shift a sense of place.



The dismantlement of National Parks and the abandonment of climate change science coerces our view of the natural world and work that engages it. The original intention of work representative of nature transforms and becomes inherently political.



Drawing from quantum theories and the cosmos down to molecular levels, Seleska’s work reveals the colors, patterns, and palpable textures that can exist, yet are not fully familiar. Created with the mark of fearlessness, his layering reveals how materials and process can be utilized to experiment with priority and dimensionality.



‘Uncharted Territories’ will be a part of the Open Studios Art Tour organized by Open Studios Alta/Pasa/Dena on June 3rd and 4th, 2017.



About Steve Seleska

Steve Seleska is a self-taught painter living and working in Frogtown Los Angeles. He has been exhibiting locally since 2009, recently showing at Walter Maciel Gallery, Torrance Art Museum, Artshare LA, San Diego Art Institute, San Francisco Arts Commission, Prohibition Gallery, South Bay Contemporary, Los Angeles Municipal Art Gallery and Los Angeles Art Association/Gallery 825.



About ARK Gallery

ARK Gallery is an alternative, artist-run space in Altadena, CA. Ark has work studios, a stage and a gallery/exhibition space. Exhibitions and concerts are curated by Kira Vollman. As a part of the larger Altadena and Pasadena art community, ARK Gallery contributes to the area’s growing rich heritage of cultural appreciation.


Art, Art, and more Art

Location:Altadena California

Thursday, May 4, 2017

CentralTrak presents: The Neighbor's Weeds


Please join us for the opening reception of The Neighbor's Weeds, a group exhibition considering our current social and political state with subtlety and humor -- a glance across the fence.

Participating artists: Xtine Burrough, Ariel R Comstock, Frank Dufour, Francis Eyth, Nathan Grande, Clayton Harper, Paiva Homsi, Ritwik Kaikini, Ferreira, Jessica Paige Shipley, and Dean Terry.
Curated by Dr. Frank Dufour.

Exhibition will run May 6th through May 27th in our CentralTrak gallery and hallway.



"The Neighbor's Weeds" image courtesy of B.K.S.

CentralTrak is a 501(c)(3) nonprofit dedicated to the creation, presentation, and advancement of the contemporary arts by building on the forward-thinking academic resources of the School of Arts & Humanities at The University of Texas at Dallas.

800 Exposition Ave.
Dallas, TX 75226
Gallery hours: Saturdays Noon - 5pm or by appointment
(214) 824-9302
centraltrak@gmail.com


Art, Art, and more Art

Location:Dallas Texas

Catherine Ruane | Dance Me to the Edge Museum of Art and History

On view May 13-July 30, 2017
Opening reception Saturday, May 13, 4-6 pm

www.catherineruane.com



Museum of Art and History (MOAH)

665 W. Lancaster Blvd
Lancaster, CA 93534
www.lancastermoah.org





After over 1000 hours, artist Catherine Ruane completed an ambitious, large scale drawing for the upcoming exhibition “Made in Mojave” opening at the Museum of Art and History in Lancaster, Saturday May 13. The drawing focuses on thriving plants found at the edge of the world and tells the story of the relationship between a Joshua Tree blossom and a tiny moth.



“Made in Mojave” is the inaugural exhibition for The Mojave Project, a multiyear project exploring the physical, geographical and cultural landscape of the Mojave Desert. Ruane’s work focuses on the intricate complexity of nature as a reflection of our own human experience. She recognizes that overarching constructs, such as time, bind us together. Like the blossom and the moth, we share a space in time.



This ambitious large scale work consists of 12 individual round drawings 12” in diameter that surround a large scale 50” drawing. The central drawing features a Joshua Tree which represents “a metaphor for our own survival” as well as the delicate balance of cooperation and time to bring on new life. This theme of cooperation and a natural balance is further reinforced by Ruane who has laid out the 12” roundel drawings around the center like a clock. For this work, she emphasizes time as part of the process. Ruane notes that her drawings were created over 1000 hours in her studio studying and meticulously capturing the details of the blossom and moth. Like her subject of study, she has found simplicity in her process using the basics of drawing coupled with time.



Ruane has exhibited throughout the United States and Europe most recently showing at the Startup Art Fair in Los Angeles, The Los Angeles Art Association/Gallery 825, Beyond Baroque, and Phantom Gallery. Her work is included in several collections including the University of AZ Art Museum.


Art, Art, and more Art

Location:Lancaster California